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      <image:title>Bradbury - THE ESSENTIAL BRADBURY</image:title>
      <image:caption>The illustration by Amos Sewell that accompanied the original publication of “Summer in the Air,” in the February 1956 issue of Saturday Evening Post.</image:caption>
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      <image:title>Bradbury - THE ESSENTIAL BRADBURY</image:title>
      <image:caption>Art inspired by the Ray Bradbury story “The Dragon,” by Pasha K.</image:caption>
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      <image:title>Bradbury - THE ESSENTIAL BRADBURY</image:title>
      <image:caption>The original telegram acceptance from Mademoiselle magazine editor George Davis to Ray Bradbury (with the charming misspelling of “Bardbury”.</image:caption>
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      <image:title>Bradbury - THE ESSENTIAL BRADBURY</image:title>
      <image:caption>“Homecoming” in the October, 1946 issue of Mademoiselle, with art by the great Charles Addams.</image:caption>
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      <image:title>Bradbury - THE ESSENTIAL BRADBURY</image:title>
      <image:caption>The acceptance letter from New Yorker editor, K.S. White (wife of author E.B. White) to Ray Bradbury for his story, “I See You Never.” (From the collection of Sam Weller)</image:caption>
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      <image:title>Bradbury - THE ESSENTIAL BRADBURY</image:title>
      <image:caption>“Mars is Heaven” from Esquire magazine, December 1, 1950. Illustration by Lew Keller.</image:caption>
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      <image:title>Bradbury - THE ESSENTIAL BRADBURY</image:title>
      <image:caption>“Mars is Heaven” from Weird Science #18. Illustration by Wally Wood.</image:caption>
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      <image:title>Bradbury - THE ESSENTIAL BRADBURY</image:title>
      <image:caption>The Junem 1944 letter from editor and publisher August Derleth soliciting “The Lake” for inclusion in the anthology, Who Knocks? This would result in Ray Bradbury’s first publication in a book. (From the collection of Sam Weller.)</image:caption>
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      <image:title>Bradbury - THE ESSENTIAL BRADBURY</image:title>
      <image:caption>EC Comics adaptation of “There Will Come Soft Rains” from Weird Fantasy #17. Art by the great Wally Wood.</image:caption>
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      <image:title>Bradbury - THE ESSENTIAL BRADBURY</image:title>
      <image:caption>The original cover sheet for the final draft of “The Veldt,” dated December 27, 1949. (From the collection of Sam Weller.)</image:caption>
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      <image:title>Bradbury - THE ESSENTIAL BRADBURY</image:title>
      <image:caption>An image adapted from Ray Bradbury’s “The Fog Horn,” used in the 1953 film, The Beast From 20,000 Fathoms. The special effects for the film were created by Ray Harryhausen. This would be the only time Ray Bradbury would collaborate with his best friend, who also served as his best man on his wedding day on September 27, 1947.</image:caption>
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      <image:title>Bradbury - THE ESSENTIAL BRADBURY</image:title>
      <image:caption>Biographer Sam Weller, with Ray Bradbury in 2003.</image:caption>
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      <image:title>Bradbury - HAPPY BIRTHDAY, RAY!</image:title>
      <image:caption>Artwork for “The Girl in the Funeral Parlor,” from the Spanish edition of Shadow Show: All-New Stories in Celebration of Ray Bradbury by Barb Hernandez (Kelonia Editorial)</image:caption>
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      <image:caption>My thoughts on the vanishing role of the school librarians in contemporary society and its potential implications.</image:caption>
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      <image:caption>A look at the 1918 influenza pandemic and the tragic role it played in the development of the imagination of renowned author Ray Bradbury.</image:caption>
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      <image:caption>A look back on the classic Ray Bradbury collection of gothic short fiction, The October Country, on the occasion of its 60th anniversary.</image:caption>
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      <image:caption>My memoir-cum-rock-music criticism essay on the vital role the rock band KISS played in my young life.</image:caption>
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      <image:caption>How three upper-Midwest businesses gave the gift of a book to senior citizens.</image:caption>
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